Journal Article

Lewis, R, ‘Strengthening the actor's voice: Unifying contradictory and complementary elements in voice for actors and core strength training’, ESK, 1 (December 2005) pp. Online. ISSN 1833-3281 (2005) [Refereed Article]

Sudmalis, DR, ‘Pitch organisation in PHI: modal, symmetrical and octatonic pre-compositional manipulation and transformation as extra-musical reflection’, ESK, 1 (December 2005) pp. Online. ISSN 1833-3281 (2005) [Refereed Article]

Chapter in Book

Malor, D, ‘Work in progress: the life of Tasmania's Art for Public Buildings Scheme’, Claiming Ground: twenty-five years of Tasmania's Art for Public Buildings Scheme, Quintas, Noel Frankham (ed), Hobart, pp. 8-17. ISBN 1 876832 35 5 (2005) [Research Book Chapter]

Conference Publication

Bywaters, MC, ‘The role of the regional university gallery - Case study: the Academy Gallery, Launceston’, Rhapsody 21C: The Future of University Museums and Art Galleries in the New Century, Launceston, pp. CD-ROM. ISBN 1 86295 240 X (2005) [Refereed Conference]

Lewis, R, ‘Hybrid Theatre: an exhibition. Stories concerning the community using multidisciplinary art forms and technology’, Rhapsody 21C CD ROM, Academy of the Arts, Launceston, pp. disc. ISBN 1 86295 246 9 (2005) [Refereed Conference]

Malor, D, ‘Doing it standing up: atelier students encountering art theory through the regional university gallery’, Rhapsody 21C: The Future of University Museums and Galleries in the New Century, Launceston, pp. CD-ROM. ISBN 1 86295 240 X (2005) [Refereed Conference]

Malor, D, ‘Site Specificity: a critical context for Tasmanian art in public buildings’, Claiming Ground, Hobart, Tasmania, pp. online. ISBN 0-646-45516-8 (2005) [Refereed Conference]

Mason, PL, ‘Saying it with spaces’, Rhapsody 21C: The Future of University Museums and Galleries in the New Century, Launceston, pp. CD-ROM. ISBN 1 86295 240 X (2005) [Refereed Conference]

McGrath, VF, ‘Investing in the regional university gallery’, Rhapsody 21C: The future of university museums and art galleries in the new century, Launceston, pp. CD-ROM. ISBN 1 86295 240 X (2005) [Refereed Conference]

Sudmalis, DR, ‘Between Duchamp and Turing: Strategies for Linkage Between the Visual and Auditive in Audio-Visual Art’, Proceedings of Imaging Nature: Media, Environment and Tourism, Cradle Mountain, 27-29 June 2004, Cradle Mountain, pp. on-line. (2005) [Refereed Conference]

Sudmalis, DR, ‘Combinatorial Modelling: ENKI and Naive Dances as audio reflections of the International Digital Art Awards 2004 and Home Sweet Home exhibitions’, Rhapsody 21C CD ROM, Academy of the Arts, Launceston, pp. disc. ISBN 1 86295 240 X (2005) [Refereed Conference]

Major Creative Work

Bissland, JM, Project in Progress, Academy Gallery (2005) [Other Exhibition]

Other Creative Work

Lewis, R, Fatherland, Academy of the Arts, Launceston, pp. 15 (2005) [Minor Creative Work]

Berg, C, Pause, Academy Gallery, Launceston, pp. 1 (2005) [Catalogue]

Berg, C, Roadside Reality: In a Liminal Space, Academy Gallery, Launceston, pp. 2 (2005) [Catalogue]

Lewis, R, The Gesture: Non-verbal communication, Academy Gallery, Launceston, pp. 4 (2005) [Catalogue]

McGrath, VF, Below the Surface, Academy Gallery, Launceston, pp. 3 (2005) [Catalogue]

Sudmalis, DR, Ross Byers: Works in Progress, Academy Gallery, Launceston, pp. 2 (2005) [Catalogue]

Bissland, JM, Pause (Untitled, Untitled, Untitled, Untitled), Academy Gallery, Launceston, pp. 4 (2005) [Representation of Original Art]

Bissland, JM, Research Three (Shipbuilding Plate 1, Shipbuilding Plate 2, Shipbuilding Plate 3), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Bourke, S, Research Three (The Slightly Bizarre Optical Laboratory, Belieiving is Seeing, Flight 901), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Edward, V, Below the Surface (Conversation 1, Conversation 2, Conversation 3), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Hamilton, DW, Converging Threads, Maui Arts and Cultural Center, Maui, pp. 10 (2004) [Representation of Original Art]

Hamilton, DW, The Walls of Jerusalem: Immersing in Nature, Academy Gallery, Launceston, pp. 3 (2004) [Representation of Original Art]

Hamilton, DW, White Line Fever, Academy Gallery, Launceston, pp. 3 (2004) [Representation of Original Art]

Hudson, SP, Below the Surface (Zero Depth 1, Zero Depth 2, Zero Depth 3), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Hudson, SP, Research Three (Sequence A 09732/37441, Untitled, Untitled), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Hudson, WZ, Below the Surface (Hula-Hula, Chico, Burger), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Hudson, WZ, Gesture Machine (Body Hug, Tiger 2, Tigress 3), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Johansen, GL, Gesture Machine (Gesture Machine, Go-Stop, Stop-Go), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Kershaw, D, Gesture Machine (Reaction Chamber A, Reaction Chamber B, Reaction Chamber C, Reaction Chamber D, Reaction Chamber E, Reaction Chamber F), Academy Gallery, Launceston, pp. 6 (2005) [Representation of Original Art]

King, GF, Research Three (Untitled 1, Untitled 2, Untitled 3), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Lewis, R, Gesture Machine (Booth of Youth, A Hug Makes the World Go 'Round, Exerciser/Pizza Man), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

McGrath, VF, Below the Surface (The 1947 Roswell New Mexico Incident Number One, The 1947 Roswell New Mexico Incident Number Two, The 1947 Roswell New Mexico Incident Number Three), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Missingham, DRA, Gesture Machine (Human Fibres I, Human Fibres II, Gesture Machine Portraits), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Missingham, DRA, Pause (Und I, Und II, Und III), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Missingham, DRA, Research Three (Duree: Visual Work in Progress 1, Duree: Visual Work in Progress 2, Duree: Visual Work in Progress 3, Duree: Audio in Progress), Academy Gallery, Launceston, pp. 4 (2005) [Representation of Original Art]

Peters, C, Research Three (Henrietta Series, Organic Interaction, The Topographical Experience), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Pitchford, J, Pause (Botanica, Zoologica, Reliquiae), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Pitchford, J, Research Three (Remnant 1, Remnant 2, Remnant 3), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Sudmalis, DR, Gesture Machine (Welcome to Gesture Machine, Flicker, Refuse), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]

Waters, LJ, Below the Surface (Emotion, Memory, Imagination), Academy Gallery, Launceston, pp. 3 (2005) [Representation of Original Art]