Journal Article
Merritt, LM, ‘Forging Vocal Pathways’, Australian Voice, 6 (2000) 19-22
(2000)
[A1]
Nielsen-Creeley, KM, ‘Research and the Artefact-Historic Ceramic Objects used by the Nursing Profession’, Health and Medicine Museums Newsletter, 18 (June 2000) 5-6
(2000)
[A3]
Malor, D, ‘Being public and non-public’, Australian and New Zealand Journal of Art, 1 (2) 187-188
(2000)
[A4]
Malor, D, ‘Australian and New Zealand Journal of Art’, Australian and New Zealand Journal of Art, 1 (1) 1 - 247
(2000)
[A6]
Malor, D, ‘Australian and New Zealand of Art’, Australian and New Zealand Journal of Art, 1 (2) 1 - 247
(2000)
[A6]
Chapter in Book
Leong, G, ‘Remembering Chinese’, Diaspora-Negotiating Asian Australia, University of Queensland Press, Helen Gilbert, Tseen Khoo, Jacqueline Lo (ed), Brisbane, 58- 68
(2000)
[C1]
Conference Publication
Malor, D, ‘At the Edge of Discourse: The Formulation of Vernacular Architecture as 'Other'’, Formulation Fabrication:the architecture of history, Central Institute of Technology/Victoria Universit, 145- 151
(2000)
[F1]
Deeth, J, ‘Harvesting Bewilderment’, The role of art at the end of the millienium, Wellington, New Zealand, 147-150
(2000)
[F2]
Malor, D, ‘Perceptions of Federazione: Haberfield, heritage and place’, Habitus 2000: a sense of place, Conference Proceedings, Curtin University, Perth, WA, Unpaginated
(2000)
[F2]
Malor, D, ‘Building/Body/Sky:the Suggestive 0pacity Of Urban Form in the work of Jeffrey Smart’, 21st Century Modernism, Brisbane, 1
(2000)
[F3]
Nielsen-Creeley, KM, ‘21st Century Modernism?Critical Feflections on Art History Today’, 21st Century Modernism, Brisbane, 1
(2000)
[F3]
Deeth, J, ‘Harvesting Bewilderment’, Pre/dictions, Wellington, New Zealand, 147-150
(2000)
[F4]
Major Creative Work
Anderson, M, Ancient Everyday Extensions
(2000)
[K2]
Anglesey, JN, Eroding Interface 1;2;3
(2000)
[K2]
Anglesey, JN, Loves me? Loves me knot?
(2000)
[K2]
Anglesey, JN, Sampler
(2000)
[K2]
Berg, C, Celibrate Botanica
(2000)
[K2]
Berg, C, Through the Landscape
(2000)
[K2]
Broad, EC, Stitch 1-4
(2000)
[K2]
Broad, EC, Tools:Prickly little;Emergency; Dressmaking
(2000)
[K2]
Broad, EC, Undercurrents
(2000)
[K2]
Brown, NE, Untitled
(2000)
[K2]
Edgar, M, Silence on Stage
(2000)
[K2]
Glade-Wright, RE, Design Equals Furniture and Fibre
(2000)
[K2]
Glade-Wright, RE, Sculptural and Decorative Textiles
(2000)
[K2]
Glade-Wright, RE, Wall-to-Wall
(2000)
[K2]
Hammond, PR, A View From The Balcony
(2000)
[K2]
Hammond, PR, A'Men
(2000)
[K2]
Hammond, PR, Cataratamongarock
(2000)
[K2]
Hammond, PR, Dreams and Visions
(2000)
[K2]
Hammond, PR, Headroom
(2000)
[K2]
Hammond, PR, Molly Comes a Cropper
(2000)
[K2]
Hammond, PR, The Day the Sky Fell In
(2000)
[K2]
Hammond, PR, Wierdo's
(2000)
[K2]
Kent, SA, A Tale of One City
(2000)
[K2]
Kent, SA, Because
(2000)
[K2]
Kent, SA, Boz & Co
(2000)
[K2]
Kent, SA, Looking for Life in all the Wrong Places
(2000)
[K2]
Marsden, D, Four Paintings
(2000)
[K2]
Marsden, D, Night Noises
(2000)
[K2]
McGrath, VF, Pressed into Service; My Beautiful Clamp; Untitled
(2000)
[K2]
McGrath, VF, Still Life With Playing Cards
(2000)
[K2]
McGrath, VF, Tools of the Trade
(2000)
[K2]
Nielsen-Creeley, KM, Recipes: Pap/ Posset/ Tea
(2000)
[K2]
Anderson, M, Schemes
(2000)
[K3]
Berg, C, Perceptions of Nature
(2000)
[K3]
Berg, C, Reciprocity
(2000)
[K3]
Brown, NE, Overtures
(2000)
[K3]
Nielsen-Creeley, KM, Stain
(2000)
[K3]
Nielsen-Creeley, KM, Still Life Shadow
(2000)
[K3]
Thesis
Broad, EC, ‘White2: The development of modernism in Australia (1850-1930)and the significant contribution made by women through domestic decoration and design’
(2000)
[M1]
