Journal Article
Negrin, L, ‘Cosmetics and the female body. A critical appraisal of poststructuralist theories of masquerade’, European Journal of Cultural Studies, 3 (1) 83-101
(2000)
[A1]
Negrin, L, ‘Some thoughts on 'primitive' body decoration’, Postcolonial Studies, 3 (3) 331-335
(2000)
[A1]
Holmes, JH, ‘The art of living dangerously’, Artlink, 20 (4) 27-30
(2000)
[A2]
Colless, EC, ‘Australia's Most Collectable Artists’, Australian Art Collector (11) 59-96
(2000)
[A3]
Colless, EC, ‘Erhan’, Australian Art Collector (14) 52-53
(2000)
[A3]
Colless, EC, ‘Greg Ades’, Australian Art Collector (14) 65
(2000)
[A3]
Colless, EC, ‘Rhys Lee’, Australian Art Collector (14) 65
(2000)
[A3]
Colless, EC, ‘Sarah Ryan’, Australian Art Collector (14) 64
(2000)
[A3]
Colless, EC, ‘Stephen Carson’, Australian Art Collector (12) 62-63
(2000)
[A3]
Smith, PG, ‘A Signature Range’, Ceramics Technical (10) 48-53
(2000)
[A3]
Smith, PG, ‘Frank Lloyd Gallery: Modern and Contemporary Ceramic Art’, Ceramics: Art and Perception (24) 48-53
(2000)
[A3]
Smith, PG, ‘Limited Editions’, Ceramics Technical (10) 42-47
(2000)
[A3]
Knights, MA, Kunda, M, ‘Images from the Life of Nikola Tesla’, Siglo (14) 17
(2000)
[A4]
Knights, MA, ‘Milan Milojevic. Intervention 6 - 'Index of Possibilities'’, Artlink:Australian Contemporary Art Quarterly, 20 (3) 91-92
(2000)
[A4]
Cahalan, A, ‘Typography as a design chronometer’, Research Journal of the School of Design (5:2000) 21-26
(2000)
[A6]
Ruffels, TD, ‘Reflections’, Photofile (59 April 2000) 10-13
(2000)
[A6]
Book
Colless, EC (ed), Felicia Kan, University of Western Stdney, Sydney, 60
(2000)
[B3]
Colless, EC (ed), The world ends when its parts wear out, Darren Knight Gallery, Sydney, 56
(2000)
[B3]
Chapter in Book
Gough, JA, ‘History, Representation, Globalisation and Indigenous Cultures: A Tasmanian Perspective’, Indigenous Cultures in an Interconnected World, Allen and Unwin, Claire Smith and Graeme Ward (ed), Sydney, pp.89-108
(2000)
[C1]
Cahalan, A, ‘Signs of our times: Type as a design chronometer’, The journal of the international Society of Typographic Designers, International Society of Typographic Designers, David Jury (ed), Colchester, 6-9
(2000)
[C2]
Review
Knights, MA, ‘Eat Me. Good Girl. Mary Scott’, Broadsheet, 29 (1) 15
(2000)
[D3]
Rhodes, BL, ‘Facsimile’, Eyeline Contemporary Visual Arts, 42 47
(2000)
[D3]
Rhodes, BL, ‘Heart on your sleeve (Eyeline)’, Eyeline (44) 39
(2000)
[D3]
Rhodes, BL, ‘Hood’, Eyeline (43) 41
(2000)
[D3]
Knights, MA, ‘Hood: Inkjet prints on canvas. Troy Ruffels (CAST Gallery)’, Australia Art Monthly Online, on-line (5/05/00) Review ID=16
(2000)
[D4]
Conference Publication
Cahalan, A, ‘The future of design education: a Tasmanian take on an international perspective’, Conference Proceedings, Curtin University of Technology, 127-131
(2000)
[F1]
Milojevic, MA, ‘The application of traditional printmaking layering techniques to digital printing’, http://www.uwe.ac.uk/research/cfpr/conf/confpa.html, Bristol
(2000)
[F2]
Major Creative Work
Arnold, R, The Macau International Exhibition of Prints
(2000)
[K2]
Ball, JMS, Six=nine
(2000)
[K2]
Brassington, P, Feeding Time. Inkjet print 67.9 x 35.5
(2000)
[K2]
Brassington, P, Lunch - pigment print 70.0 x 36.6
(2000)
[K2]
Brassington, P, Sago Child 1998 - inkjet print. 69.6 x 50.5
(2000)
[K2]
Brassington, P, Sago Child: Feeding Time: Lunch
(2000)
[K2]
Brassington, P, The Frog: Neck: Wool - inkjet prints included in the exhibition Zeitgenössische Fotokunst aus Australien
(2000)
[K2]
Brassington, P, Untitled 1: Untitled 2:Untitled 3:Untitled 4:
(2000)
[K2]
Colless, EC, Animal Husbandry
(2000)
[K2]
Colless, EC, Biosphere
(2000)
[K2]
Gough, JA, Driving Black Home
(2000)
[K2]
Hart, W, Cracow International Print Triennial 'Bridge to the Future'
(2000)
[K2]
Hobba, L, Some Recent Works for Screen
(2000)
[K2]
Hudson, WZ, Twisted Love 11: Snake Gate: Bum Post:
(2000)
[K2]
Jenyns, R, Naturally
(2000)
[K2]
Johnson, KL, Heart on your sleeve
(2000)
[K2]
Johnson, KL, Too Late
(2000)
[K2]
Keating, MJ, The Purgatorial Perspective: from utopia to dystopia
(2000)
[K2]
Knights, MA, La Mirada - The Gaze (Barbie Kjar)
(2000)
[K2]
MacDonald, AL, Annunciation (blue): Annunciation (Red):
(2000)
[K2]
MacDonald, AL, Azalea
(2000)
[K2]
Martin, DI, Document 2
(2000)
[K2]
Milojevic, MA, Borges Bestiary - Artist Book 30 pages - digital prints
(2000)
[K2]
Milojevic, MA, From the Book of Getting Nowhere - set of 6 digital prints
(2000)
[K2]
Milojevic, MA, Index of possibilites (Hutchins)
(2000)
[K2]
Milojevic, MA, Moving Cities, Australian Artists in Berlin 2000
(2000)
[K2]
Milojevic, MA, The Barometz (from the book of imaginary beings) - Digital print
(2000)
[K2]
Milojevic, MA, Wish you were here 1/Wish you were here 2. Artists books
(2000)
[K2]
Prasil, PRJ, Desk: Chair: Bench:
(2000)
[K2]
Ruffels, TD, Ryan, SL, Painting - curated by Troy Ruffels and Sarah Ryan
(2000)
[K2]
Ryan, SL, Pivot V: About Photography
(2000)
[K2]
Ryan, SL, Too Late (Prints)
(2000)
[K2]
Zika, P, Death and Decoration
(2000)
[K2]
Arnold, R, Raymond Arnold - Solo - Gallery 482
(2000)
[K3]
Blakebrough, L, Porcelain Objects
(2000)
[K3]
Blakebrough, L, Southern Ice
(2000)
[K3]
Carson, S, Memento - an improvised installation by Steven Carson
(2000)
[K3]
Clark, S, Remote sensing
(2000)
[K3]
Hart, W, Sleeper
(2000)
[K3]
Keating, MJ, Xiaojie Looka Looka
(2000)
[K3]
Lunn, KLC, Embellishing the family photograph.A study of the allure of the exotic
(2000)
[K3]
MacDonald, AL, Petals
(2000)
[K3]
Milojevic, MA, Index of Possibilities, Prints and Artists Books
(2000)
[K3]
Milojevic, MA, Intervention 6 - Index of possibilites
(2000)
[K3]
Quon, JW, Ballast Exchange
(2000)
[K3]
Quon, JW, Ecological Roulette - Multi-media installation
(2000)
[K3]
Ruffels, TD, Hood (CAST)
(2000)
[K3]
Scott, MG, Good Girl
(2000)
[K3]
Stephenson, DM, Cupolas
(2000)
[K3]
Stephenson, DM, Dome
(2000)
[K3]
Stephenson, DM, Heaven - Cupola and Star series
(2000)
[K3]
Stephenson, DM, Virtual Dome
(2000)
[K3]
Watt, YM, Tales from the dark side
(2000)
[K3]
Zika, P, Cornucopia
(2000)
[K3]
Thesis
Greenshields, BR, ‘The Language of Food and Eating within a Context of Three Dimensional Still Life’
(2000)
[M1]
Ky, M, ‘Metamorphosis of the Layered Motifs:Self-portraiture and the Metamorphosis of the Pattern/Grid in Printmaking’
(2000)
[M1]
Porteous, MMR, ‘Wallflower: An exploration of Female Self-Representation’
(2000)
[M1]
Schlitz, MJ, ‘Language of the Mute: A Visual Interrogation of Arago'sImage 'Baie des Chiens-marins,presqu'ile Peron. Entrevue avec les Sauvages’
(2000)
[M1]
Sullivan, AJ, ‘Shoppinglands: Reflections on the Ideology of Consumption and the Construction of Identity in Hobart Advertising’
(2000)
[M1]
Vella, JM, ‘A Re-presentation of Object Phenomena through the Medium of Painting’
(2000)
[M1]
Ball, JMS, ‘The Image of Reality: Its Relationship to Photography’
(2000)
[M3]
Hudson, WZ, ‘Props for Social Discourse’
(2000)
[M3]
Vongphantuset, J, ‘Buddhist Philosophy, Nature and Harmony:Implications for Product Design’
(2000)
[M3]
Other Public Output
Brassington, P, ‘Pat Brassington - Recent Work’, Photophile - Fictions, Australian Centre for Photography, Sydney, April 2000, 59
(2000)
[O2]
Cahalan, A, ‘Time and Type’, Desktop, Niche Media Pty.Ltd, Melbourne, Victoria, 147
(2000)
[O2]
Rhodes, BL, ‘Death and Decoration (Siglo)’, Siglo, Siglo:journal for the arts, Hobart, 1, 13
(2000)
[O2]
Quon, JW, ‘Media Interview’, Drive Time, Jules Retro, ABC Radio, Hobart
(2000)
[O3]
Gough, JA, ‘Residency’, Dombrovskis Wilderness residency, Arts Tasmania, Hobart
(2000)
[O6]
Johnson, KL, Ryan, SL, ‘A Collaborative Exhibtion’, New Media Fund: New Work, Australia Council, Sydney
(2000)
[O6]
Keating, MJ, ‘Asialink Beijing Residency’, Asialink/Australia Council, Sydney
(2000)
[O6]
Lim, J, ‘Between Thoughts’, 19th UOB Painting of the Year Exhibiton, United Overseas Bank Group, Singapore
(2000)
[O6]
Milojevic, MA, ‘25th annual shell Fremantle Print award’, The Index of Possibilities - digital and relief print, Fremantle Arts Centre, Fremantle
(2000)
[O6]
Ruffels, TD, ‘Samstag’, Anne and Gordon Samstag International Visual Arts Scholarships, University of South Australia, Adelaide
(2000)
[O6]
