Journal Article
Negrin, L, ‘The Antinomies of Postmodern neo-Classicism’, Arena Journal (11) 61-81
(1998)
[A1]
Blakebrough, L, Smith, PG, ‘Fast Production in the Studio’, Ceramics TECHNICAL, 7 (November) 25-35
(1998)
[A2]
Cahalan, A, ‘The Future of Design Education’, Australian Graphic Design Journal (2) 1
(1998)
[A2]
Cahalan, A, ‘What on Earth is a PhD in typography?’, Australian Graphic Design Journal (3) 1
(1998)
[A2]
Colless, EC, ‘Jive (¿Australian Voices¿ Essay, sponsored by the National Library of Australia, Canberra)’, Australian Book Review (No. 200: September, 1998) 24-28
(1998)
[A2]
Colless, EC, ‘Moderne’, Broadsheet, 27 (1) 12-13
(1998)
[A2]
Colless, EC, ‘Op Music’, Broadsheet, 27 (2) 4-7
(1998)
[A2]
Colless, EC, ‘Two Evil Eyes’, Australian Art Collector, 4 (March, 1998) 68-69
(1998)
[A2]
Gough, JA, ‘Time ripples in Tasmania: Aboriginal artists in Tasmania Today’, Art and Australia, 35 (1) 108-115
(1998)
[A2]
Holmes, JH, ‘You need to go abroad - to make your name?’, ArtLink, 18 (4) 22-27
(1998)
[A2]
Negrin, L, ‘Pictura Britannica’, Art News, 97 (6) 144
(1998)
[A2]
Review
Colless, EC, ‘Running on Empty[review:Oxford History of Art volumes: Art and Society in Italy 1350¿1500 (Evelyn Welch), Art in Europe 1700¿1830 (Matthew Craske), Art in China (Craig Clunas), The Photograph (Graham Clark), Twentieth-Century Design (Janthan M. Woodham)]’, The Australian's Review of Books, February (1998) 18-19
(1998)
[D2]
Negrin, L, ‘Landmarks and Curiosities’, Art and Australia, 36 (2) 194-196
(1998)
[D2]
Colless, EC, ‘Ironic Iconoclast [review: Wystan Curnow, Imants Tillers and ¿The Book of Power¿]’, The Australian Book Review, 198 (February, 1998) 20-21
(1998)
[D3]
Major Creative Work
Allford, ME, Past Tense/ Future Perfect
(1998)
[K2]
Blakebrough, L, Sydney Myer Fund: 1998 International Ceramics Award
(1998)
[K2]
Blakebrough, L, The Great Australian Teapot
(1998)
[K2]
Brassington, P, Fremantle Print Prize
(1998)
[K2]
Cahalan, A, Whispers, Lies and Text
(1998)
[K2]
Colless, EC, Jane Burton
(1998)
[K2]
Colless, EC, Saying it with Flowers: Wilma Tabacco and Irene Barberis
(1998)
[K2]
Colless, EC, The Idea of Visible
(1998)
[K2]
Gough, JA, Whispers, Lies and Text
(1998)
[K2]
Hart, W, Fremantle Print Prize
(1998)
[K2]
Hart, W, Geelong Gallery Print Award
(1998)
[K2]
Hart, W, Sapporo 4th International Print Biennale
(1998)
[K2]
Hill, PW, Networking: Art by Post, Fax and Phone
(1998)
[K2]
Hobba, L, Quartet (White)
(1998)
[K2]
Hudson, SP, Past Tense/Future Perfect
(1998)
[K2]
Hudson, WZ, S.O.F.A. Chicago
(1998)
[K2]
Jenyns, L, Bishop, Bishop, Jenyns & Jenyns - 4 Sculptors
(1998)
[K2]
Jenyns, L, Sydney Myer Fund: 1998 International Ceramics Award
(1998)
[K2]
Jenyns, L, Tasmanian Tiger: The Mystery of the Thylacine
(1998)
[K2]
Jenyns, R, Bishop, Bishop, Jenyns & Jenyns - 4 Sculptors
(1998)
[K2]
Keating, M, Past Tense/Future Perfect
(1998)
[K2]
Keating, M, Recent work by Sarah Ryan & Megan Keating
(1998)
[K2]
Knights, MA, Whispers, Lies and Text
(1998)
[K2]
Mason, SJ, Past Tense/Future Perfect
(1998)
[K2]
Milojevic, MA, Borges' Bestiary
(1998)
[K2]
Milojevic, MA, Fremantle Print Award
(1998)
[K2]
Milojevic, MA, Gone to the Dogs
(1998)
[K2]
Milojevic, MA, Personas
(1998)
[K2]
Milojevic, MA, Toowoomba Biennial Acquisitive Award and Exhibition
(1998)
[K2]
Negrin, L, Personal Coercion: A Visual Investigation into a State of Multiculturalism
(1998)
[K2]
Parr, G, Fremantle Print Prize
(1998)
[K2]
Parr, G, Geelong Gallery Print Award
(1998)
[K2]
Petterd, R, L.A. Freewaves Festival
(1998)
[K2]
Petterd, R, SEAFair '98
(1998)
[K2]
Petterd, R, VI Bienal Internacional De Poesia Experimental
(1998)
[K2]
Prasil, PRJ, Past Tense/Future Perfect
(1998)
[K2]
Ryan, SL, Recent work of Sarah Ryan and Megan Keating
(1998)
[K2]
Ryan, SL, Suite
(1998)
[K2]
Scott, MG, Fremantle Print Award
(1998)
[K2]
Scott, MG, Offline: An Exhibition of Soft Hardware
(1998)
[K2]
Spinks, J, Moore, M*, Vignando, P*, McNally, L*, Jirasek, I*, Norman, M*, Attiwill, S*, Browne, L*, Bowen, A*, Past Tense/Future Perfect
(1998)
[K2]
Stephenson, DM, Click
(1998)
[K2]
Stephenson, DM, Constellations
(1998)
[K2]
Stephenson, DM, Ground Control
(1998)
[K2]
Stephenson, DM, Waterproof
(1998)
[K2]
Vella, JM, Upbeat and Lively
(1998)
[K2]
Woodward, ML, Whispers, Lies and Text
(1998)
[K2]
Woodward, ML, Work: raw edges and the odd catastrophe
(1998)
[K2]
Blakebrough, L, Les Blakebrough BMG Art
(1998)
[K3]
Blakebrough, L, Les Blakebrough Ceramic Art
(1998)
[K3]
Jenyns, L, The Throne of Wisdom
(1998)
[K3]
Jenyns, R, The Paris Show
(1998)
[K3]
Keating, M, A Silent View: Scenes from a Passing Epoch
(1998)
[K3]
Stephenson, DM, David Stephenson
(1998)
[K3]
Watkins, P, Recent Work
(1998)
[K3]
Watkins, P, The Last Word
(1998)
[K3]
Zika, P, Paul Zika
(1998)
[K3]
Thesis
Chick, SM, ‘Beyond Flesh: An Investigation into the representation of the human body that exists beyond the boundaries of the 'normal'’
(1998)
[M1]
Knight, W, ‘Exploring metaphysical meaning through the construction of physical objects’
(1998)
[M1]
Phillips, A, ‘Shampoo mythology: the object, its meaning, its influence’
(1998)
[M1]
Walch, MB, ‘An Analysis of Experiential Space at the Close of the Twentieth Century’
(1998)
[M1]
Assef, AM, ‘Parody in the Theatre of Gestures’
(1998)
[M2]
