Journal Article
Negrin, L, ‘The Antinomies of Postmodern neo-Classicism’, Arena Journal (11) pp. 61-81. (1998) [Refereed Article]
Blakebrough, L and Smith, PG, ‘Fast Production in the Studio’, Ceramics TECHNICAL, 7 (November) pp. 25-35. (1998) [Non Refereed Article]
Cahalan, A, ‘The Future of Design Education’, Australian Graphic Design Journal (2) pp. 1. (1998) [Non Refereed Article]
Cahalan, A, ‘What on Earth is a PhD in typography?’, Australian Graphic Design Journal (3) pp. 1. (1998) [Non Refereed Article]
Colless, EC, ‘Jive (¿Australian Voices¿ Essay, sponsored by the National Library of Australia, Canberra)’, Australian Book Review (No. 200: September, 1998) pp. 24-28. (1998) [Non Refereed Article]
Colless, EC, ‘Moderne’, Broadsheet, 27 (1) pp. 12-13. (1998) [Non Refereed Article]
Colless, EC, ‘Op Music’, Broadsheet, 27 (2) pp. 4-7. (1998) [Non Refereed Article]
Colless, EC, ‘Two Evil Eyes’, Australian Art Collector, 4 (March, 1998) pp. 68-69. (1998) [Non Refereed Article]
Gough, JA, ‘Time ripples in Tasmania: Aboriginal artists in Tasmania Today’, Art and Australia, 35 (1) pp. 108-115. (1998) [Non Refereed Article]
Holmes, JH, ‘You need to go abroad - to make your name?’, ArtLink, 18 (4) pp. 22-27. (1998) [Non Refereed Article]
Review
Colless, EC, ‘Running on Empty[review:Oxford History of Art volumes: Art and Society in Italy 1350¿1500 (Evelyn Welch), Art in Europe 1700¿1830 (Matthew Craske), Art in China (Craig Clunas), The Photograph (Graham Clark), Twentieth-Century Design (Janthan M. Woodham)]’, The Australian's Review of Books, February (1998) pp. 18-19 (1998) [Review Several Works]
Negrin, L, ‘Landmarks and Curiosities’, Art and Australia, 36 (2) pp. 194-196 (1998) [Review Several Works]
Colless, EC, ‘Ironic Iconoclast [review: Wystan Curnow, Imants Tillers and ¿The Book of Power¿]’, The Australian Book Review, 198 (February, 1998) pp. 20-21 (1998) [Review Single Work]
Major Creative Work
Allford, ME, Past Tense/ Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work]
Blakebrough, L, Sydney Myer Fund: 1998 International Ceramics Award, Shepparton Art Gallery, Shepparton, pp. 36 (1998) [Recorded Creative Work]
Blakebrough, L, The Great Australian Teapot, Distelfink Gallery, Melbourne, pp. 2 (1998) [Recorded Creative Work]
Brassington, P, Fremantle Print Prize, Fremantle Print Prize, Fremantle, pp. 14 (1998) [Recorded Creative Work]
Cahalan, A, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work]
Colless, EC, Jane Burton, Adelaide Biennial of Art, Adelaide, pp. 16-17 (1998) [Recorded Creative Work]
Colless, EC, Saying it with Flowers: Wilma Tabacco and Irene Barberis, RMIT, Melbourne, pp. 9-11 (1998) [Recorded Creative Work]
Colless, EC, The Idea of Visible, Arstpace, Sydney, pp. 3 (1998) [Recorded Creative Work]
Gough, JA, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work]
Hart, W, Fremantle Print Prize, Fremantle Art Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work]
Hart, W, Geelong Gallery Print Award, Geelong City Art Gallery, Geelong, pp. 4 (1998) [Recorded Creative Work]
Hart, W, Sapporo 4th International Print Biennale, Hokkaido Museum of Modern Art, Sapporo, Japan, pp. 64 (1998) [Recorded Creative Work]
Hill, PW, Networking: Art by Post, Fax and Phone, Hayward Gallery, South Bank, London, pp. 48 (1998) [Recorded Creative Work]
Hobba, L, Quartet (White), Artspace, Sydney, pp. 2 (1998) [Recorded Creative Work]
Hudson, SP, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work]
Hudson, WZ, S.O.F.A. Chicago, Despard Gallery, Chicago, pp. 2 pp (1998) [Recorded Creative Work]
Jenyns, L, Bishop, Bishop, Jenyns & Jenyns - 4 Sculptors, Greenaway Gallery, Adelaide, pp. 2 (1998) [Recorded Creative Work]
Jenyns, L, Sydney Myer Fund: 1998 International Ceramics Award, Shepparton Art Gallery, Shepparton, pp. 36 (1998) [Recorded Creative Work]
Jenyns, L, Tasmanian Tiger: The Mystery of the Thylacine, Tasmanian Museum and Art Gallery, Hobart, pp. Broadsheet (1998) [Recorded Creative Work]
Jenyns, R, Bishop, Bishop, Jenyns & Jenyns - 4 Sculptors, Greenaway Gallery, Adelaide, pp. 2 (1998) [Recorded Creative Work]
Keating, MJ, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work]
Keating, MJ, Recent work by Sarah Ryan & Megan Keating, smith + stoneley on stratton, Newstead, Queensland, pp. 6 (1998) [Recorded Creative Work]
Knights, MA, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work]
Mason, SJ, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work]
Milojevic, MA, Borges' Bestiary, Grahame Galleries and Editions, Brisbane, pp. 2 (1998) [Recorded Creative Work]
Milojevic, MA, Fremantle Print Award, Fremantle Art Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work]
Milojevic, MA, Gone to the Dogs, Graeme Galleries & Editions, Brisbane, pp. 2 (1998) [Recorded Creative Work]
Milojevic, MA, Personas, Works on Paper Fair, Melbourne, pp. 4 (1998) [Recorded Creative Work]
Milojevic, MA, Toowoomba Biennial Acquisitive Award and Exhibition, Toowoomba Regional Art Gallery, Toowoomba, pp. 32 pp (1998) [Recorded Creative Work]
Negrin, L, Personal Coercion: A Visual Investigation into a State of Multiculturalism, Nexus Gallery, Adelaide, pp. 1 (1998) [Recorded Creative Work]
Parr, G, Fremantle Print Prize, Fremantle Art Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work]
Parr, G, Geelong Gallery Print Award, Geelong City Art Gallery, Geelong, pp. 4 (1998) [Recorded Creative Work]
Petterd, R, L.A. Freewaves Festival, Los Angeles Museum of Contemporary Art,, Los Angeles, pp. http://www.freewaves.org (1998) [Recorded Creative Work]
Petterd, R, SEAFair '98, SCCA, Skopje, Macedonia, pp. http://ww.scca.org.mk (1998) [Recorded Creative Work]
Petterd, R, VI Bienal Internacional De Poesia Experimental, Altamiracave, Brazil, pp. http:// www.altamiracave.com (1998) [Recorded Creative Work]
Prasil, PRJ, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work]
Ryan, SL, Recent work of Sarah Ryan and Megan Keating, smith + stoneley on stratton, Newstead, Queensland, pp. 2 (1998) [Recorded Creative Work]
Ryan, SL, Suite, smith + stoneley on stratton, Newstead, Queensland, pp. 6 (1998) [Recorded Creative Work]
Scott, MG, Fremantle Print Award, Fremantle Arts Centre, Fremantle, pp. 14 (1998) [Recorded Creative Work]
Scott, MG, Offline: An Exhibition of Soft Hardware, Jam Factory, Adelaide, pp. 95-96 (1998) [Recorded Creative Work]
Spinks, J and Moore, M* and Vignando, P* and McNally, L* and Jirasek, I* and Norman, M* and Attiwill, S* and Browne, L* and Bowen, A*, Past Tense/Future Perfect, Craftwest Centre for Contemporary Craft, Perth, W.A., pp. 52 (1998) [Recorded Creative Work]
Stephenson, DM, Click, Robert Lindsay Gallery, Melbourne, pp. 2 (1998) [Recorded Creative Work]
Stephenson, DM, Constellations, University of Missouri-Kansas City Gallery of Art, Kansas City, pp. 2 (1998) [Recorded Creative Work]
Stephenson, DM, Ground Control, Lombard-Freid Fine Arts, New York., pp. 2 (1998) [Recorded Creative Work]
Stephenson, DM, Waterproof, Belen Art Centre, Lisbon, pp. 2 (1998) [Recorded Creative Work]
Vella, JM, Upbeat and Lively, Dick Bett Art Gallery, Hobart, pp. 2 (1998) [Recorded Creative Work]
Woodward, ML, Whispers, Lies and Text, Contemporary Art Services Tasmania, Hobart, pp. 28 (1998) [Recorded Creative Work]
Woodward, ML, Work: raw edges and the odd catastrophe, Mooonah Arts Centre, Hobart, pp. 8 (1998) [Recorded Creative Work]
Stephenson, DM, David Stephenson, National Gallery of Victoria, Melbourne, pp. 12 (1998) [Curated Exhibition]
Blakebrough, L, Les Blakebrough BMG Art, BMG ART, Adelaide, pp. 2 (1998) [Other Exhibition]
Blakebrough, L, Les Blakebrough Ceramic Art, Ceramic Art Gallery, Sydney, pp. 2 (1998) [Other Exhibition]
Jenyns, L, The Throne of Wisdom, Watters Gallery,, Sydney, pp. 2 (1998) [Other Exhibition]
Jenyns, R, The Paris Show, Watters Gallery, Sydney, pp. 2 (1998) [Other Exhibition]
Keating, MJ, A Silent View: Scenes from a Passing Epoch, Queen Victoria Museum and Art Gallery, Launceston, pp. 4 (1998) [Other Exhibition]
Watkins, P, Recent Work, Bellas Gallery, Brisbane, pp. 2 (1998) [Other Exhibition]
Watkins, P, The Last Word, Sutton Gallery, Melbourne, pp. 2 (1998) [Other Exhibition]
Zika, P, Paul Zika, Stephen McLaughlin Gallery, Melbourne, pp. 2 (1998) [Other Exhibition]
Thesis
Chick, SM, ‘Beyond Flesh: An Investigation into the representation of the human body that exists beyond the boundaries of the 'normal'’ (1998) [Masters Research]
Knight, W, ‘Exploring metaphysical meaning through the construction of physical objects’ (1998) [Masters Research]
Phillips, A, ‘Shampoo mythology: the object, its meaning, its influence’ (1998) [Masters Research]
Walch, MB, ‘An Analysis of Experiential Space at the Close of the Twentieth Century’ (1998) [Masters Research]
Assef, AM, ‘Parody in the Theatre of Gestures’ (1998) [Masters Coursework]
