Journal Article
Negrin, L, ‘Feminism and Fashion: A Critical Appraisal’, Arena Journal (6) pp. 75-86. (1996) [Refereed Article]
Negrin, L, ‘The Meaning of Dress’, Arena Journal (7) pp. 131-146. ISSN 1039-1010 (1996) [Refereed Article]
Colless, EC, ‘JJ Voss: The Seizure of Power’, Photofile (47, March, 1996) pp. 36-38. (1996) [Professional, Non Refereed Article]
Colless, EC, ‘Merry Alpern: Dirty Windows’, World Art (2) pp. 78-79. (1996) [Professional, Non Refereed Article]
Colless, EC, ‘No Future: art in a research culture’, Broadsheet, 25 (4) pp. 8-9. (1996) [Professional, Non Refereed Article]
Colless, EC, ‘Victor Skrebneski and Laura Jacobs, The Art of Haute Couture’, World Art (3) pp. 78-9. (1996) [Professional, Non Refereed Article]
Hill, PW, ‘A Little Night Reading’, Artmonthly Australia (90 June, 1996) pp. 26-28. (1996) [Professional, Non Refereed Article]
Hill, PW, ‘New Zealand Does It Better’, Artmonthly Australia (95 November, 1996) pp. 6-8. (1996) [Professional, Non Refereed Article]
Hill, PW, ‘The Next Wave Festival’, Artmonthly Australia (91 July, 1996) pp. 12-14. (1996) [Professional, Non Refereed Article]
Hobba, L, ‘Arts in the Electronic Landscape. The Tasmanian Connection’, Artlink, 16 (2 & 3) pp. 2. (1996) [Professional, Non Refereed Article]
Holmes, JH, ‘Les Blakebrough's Southern Ice’, Ceramics: Art and Perception (24) pp. 72-75. (1996) [Professional, Non Refereed Article]
Milojevic, MA and Kirker, A*, ‘Burning Issues - In Conversation with Milan Milojevic’, Imprint, 31 (31) pp. 21-24. (1996) [Professional, Non Refereed Article]
Smith, PG, ‘The Ceramic Research Unit, Centre for the Arts, Hobart’, Ceramics: TECHNICAL (2) pp. 50-55. (1996) [Professional, Non Refereed Article]
Spinks, J, ‘Inferno: Bill Henson's Divine Comedy’, Siglo (5) pp. 22-29. (1996) [Professional, Non Refereed Article]
Spinks, J, ‘Zsolt Faludi: Alchemy and Objecthood’, Ceramics: Art and Perception (23) pp. 101-103. (1996) [Professional, Non Refereed Article]
Chapter in Book
Colless, EC, ‘An End to the ¿80s’, What is Appropriation: an anthology of critical writings on Australian Art in the 80s and 90s, Power Publications and Institute of Modern Art, Brisbane, Butler, R (ed), Sydney and Brisbane, pp. 293-307. (1996) [Research Book Chapter]
Colless, EC, ‘The End of the Road’, Brushing the Dark: Contemporary Art and Tasmania, Contemporary Art Services Tasmania, Holmes, J (ed), Hobart, pp. 53-57. (1996) [Research Book Chapter]
Review
Colless, EC, ‘Quietly Gothic: 'Mutiny on the Docks', curated by Dan Armstrong’, Real Time (12) pp. 38 (1996) [Review Single Work]
Spinks, J, ‘Hobart Art Prize’, Art and Australia, 33 (4) pp. 574 (1996) [Other Review]
Spinks, J, ‘Moët et Chandon Touring Exhibition 1995’, CAST Magazine, 1 (8) pp. 20-21 (1996) [Other Review]
Conference Publication
Holmes, JH, ‘Convergence Divergence (Papers presented at the Hobart Conference of the Australian Council of University Art and Design Schools, September, 1995)’, Convergence Divergence, Hobart, pp. 98. (1996) [Conference Edited]
Design
Zika, P, Elizabeth Mall Redevelopment, Hobart City Council, Hobart (1996) [Other Designs]
Major Creative Work
Arnold, R and MacDonald, AL and Stephenson, DM and Hobba, L and Greenwood, R, Imagine Nature, Plimsoll Gallery, Hobart, 1, pp. 72 (1996) [Recorded Creative Work]
Brassington, P and Parkes, BW and Swan, M*, Enchanté, Plimsoll Gallery, University of Tasmania, Hobart, pp. 32 (1996) [Recorded Creative Work]
Brassington, P, Photography is Dead! Long Live Photography, Museum of Contemporary Art, Sydney, 1, pp. 114 (1996) [Recorded Creative Work]
Colless, EC, Being Spooked, Adelaide Biennale of Australian Art, Adelaide, pp. 68 - 69 (1996) [Recorded Creative Work]
Colless, EC, Brent Harris in That Uncertain Feeling, Contemporary Art Centre of South Australia, Adelaide, pp. 3 (1996) [Recorded Creative Work]
Colless, EC, Where the Wild Things Are, Barbarism (Librex Press) and Australian Centre for Contemporary Art, Sydney and Melbourne, pp. 3 (1996) [Recorded Creative Work]
Gough, JA, Art Cologne, Bundesverband Deutscher Galerian, Cologne, Germany, pp. 1 (1996) [Recorded Creative Work]
Hay, PR and Holmes, JH and Cupit, S* and Bonyhady, T*, Imagine Nature: Raymond Arnold, Rebecca Greenwood, Leigh Hobba, Anne MacDonald and David Stephenson, Plimsoll Gallery, University of Tasmania, Hobart, 1, pp. 72 (1996) [Recorded Creative Work]
Hill, PW, How Say You?, Centre for Contemporary Art, Melbourne, pp. n.p. (1996) [Recorded Creative Work]
Hobba, L, Art across ocean. Video installation, Adelaide Festival Committee, Adelaide, pp. 4 (1996) [Recorded Creative Work]
Hobba, L, Enchainment: A video/dance installation, Tasmanian Museum and Art Gallery, Hobart (1996) [Recorded Creative Work]
Hobba, L, I've seen Mycenae glistening across the wine dark sea, K benhavn 96, Copenhagen, pp. 2 (1996) [Recorded Creative Work]
Holmes, JH and Zika, P, Tangibility? Three Installations, Plimsoll Gallery, University of Tasmania, Hobart, 1, pp. 32 (1996) [Recorded Creative Work]
Jenyns, R, Car Boat & Blue Cargo, Tasmanian Museum and Art Gallery, Hobart, pp. 1 (1996) [Recorded Creative Work]
Jenyns, R and Kirby, SA, Noah's Ark, Plimsoll Gallery, University of Tasmania, Hobart, pp. 4 (1996) [Recorded Creative Work]
Kjar, B and Scott, MG and Hansen, D*, Barbie Kjar, Dick Bett, Hobart, 1, pp. 24 (1996) [Recorded Creative Work]
MacDonald, AL, Death: Insights on Life, Macquarie Galleries, Sydney, pp. 34 (1996) [Recorded Creative Work]
MacDonald, AL and Stephenson, DM, The 1995 Review, Dick Bett, Hobart, pp. 4 (1996) [Recorded Creative Work]
Milojevic, MA, Apocalypse/Calypso (a series of six etchings), Ipswich Regional Gallery, Ipswich, Queensland, pp. 1 (1996) [Recorded Creative Work]
Milojevic, MA, London Artists' Books Fair, Barbican Centre, London, London, pp. 4 Books (1996) [Recorded Creative Work]
Milojevic, MA and Coleing, T*, S.O.S: A series of 20 Prints by M.Milojevic and T.Coleing, National Gallery of Australia, Canberra, pp. 1 (1996) [Recorded Creative Work]
Milojevic, MA, The Power to Move, Queensland Art Gallery, Brisbane, pp. 80 (1996) [Recorded Creative Work]
Parr, G and Milojevic, MA and Hart, W, ArCade II, University of Brighton, Brighton, UK, pp. 1 (1996) [Recorded Creative Work]
Parr, G and Milojevic, MA, Art in the Electronic Landscape, Artlink, Adelaide, 1 EJ (1996) [Recorded Creative Work]
Parr, G and Milojevic, MA and Hart, W, ISEA '96, International Symposium of Electronic Arts, Rotterdam, pp. 1 (1996) [Recorded Creative Work]
Smith, J and Perkins, KW and Costello, PG and Weiss, BT and Wright, L and McKee, J, Points of Diversity, Tasmanian School of Art, Hobart, pp. np (1996) [Recorded Creative Work]
Smith, PG, See the Light, Crafts Council of Australia, Sydney, pp. 2 (1996) [Recorded Creative Work]
Smith, PG and Blakebrough, L, Wavelengths, Entrepot Gallery, University of Tasmania, Hobart, pp. 4 (1996) [Recorded Creative Work]
Stephenson, DM and MacDonald, AL and Wright, H and Burns, T, Brushing the Dark: Recent Art and Tasmania, Contemporary Art Services Tasmania, Hobart, 1, pp. 64 (1996) [Recorded Creative Work]
Stephenson, DM and Hammond, V*, David Stephenson: Cupolas, Dick Bett, Hobart, 1, pp. 36 (1996) [Recorded Creative Work]
Woodward, ML, Out of the Linen Closet: Artist Embroiderers, Moonah Arts Centre, Hobart, pp. 16 (1996) [Recorded Creative Work]
Zika, P, Monstrances, University of Tasmania Fine Art Collection, Hobart (1996) [Recorded Creative Work]
Stephenson, DM, Transfigurations, Robert Lindsay Gallery, Melbourne, pp. 2 (1996) [Curated Exhibition]
Arnold, R, Ray Arnold, Nisart Gallery, Launceston, pp. 2 (1996) [Other Exhibition]
Brassington, P and Colless, EC, Pat Brassington: This is not a love song, Monash University, Melbourne, pp. 24 (1996) [Other Exhibition]
Brassington, P, Portfolios of New Work, Photofile, Sydney, pp. 4 (1996) [Other Exhibition]
Gough, JA, Dark Secrets/Home Truths, Gallery Gabrielle Pizzi, Melbourne, 1, pp. 6 (1996) [Other Exhibition]
Jenyns, R, Objets d'Art, Dick Bett, Hobart, pp. 5 (1996) [Other Exhibition]
Smith, PG, Lightworks II: Recent work by Penny Smith, Queen Victoria Museum and Art Gallery, Launceston, 1, pp. 24 (1996) [Other Exhibition]
Zika, P, Monstrances, Stephen McLaughlin Gallery, Melbourne, pp. 2 (1996) [Other Exhibition]
Thesis
Falconer, GL, ‘The mother-son relationship: an investigation of mutual responses’ (1996) [Masters Research]
Knight, W, ‘Exploring metaphysical meaning through the construction of physical objects’ (1996) [Masters Research]
Kunda, M, ‘A radical act of remembering’ (1996) [Masters Research]
Wright, L, ‘Lured to the Surface’ (1996) [Masters Research]
Other Public Output
Colless, EC, ‘Diane Arbus: Untitled’, The Age: Saturday Extra, The Age, Melbourne, 9th March, 1996 (1996) [Newspaper Article]
Colless, EC, ‘The Photographs of Dorothea Lange’, The Age: Saturday Extra, The Age, Melbourne, 1 June, 1996 (1996) [Newspaper Article]
Hill, PW, ‘Constructed City’, The Bulletin/Newsweek, Sydney, 13th Feb (1996) [Magazine Article]
Hill, PW, ‘The Sydney Biennale’, The Bulletin/Newsweek, Sydney, 6th Aug (1996) [Magazine Article]
Hill, PW, ‘Transformers’, The Bulletin/Newsweek, Sydney, 10th Sept (1996) [Magazine Article]
Arnold, R, ‘10ème Saga: Estampe, Photographie, Dessin’, Here there is an Image, Espace Eiffel Branly, Paris, Paris (1996) [Award]
Blakebrough, L, ‘Newcastle Ceramic Purchase Award’, Newcastle Ceramic Purchase Award, Newcastle Regional Art Gallery, Newcastle (1996) [Award]
Gough, JA, ‘Anne & Gordon Samstag International Visual Arts Scholarships’, Anne & Gordon Samstag Trust, University of South Australia, Adelaide (1996) [Award]
Parr, G, ‘Contemporary Art and Technology Prize’, National Gallery of Victoria, Melbourne (1996) [Award]
Parr, G and Milojevic, MA, ‘Fremantle Art Prize’, Fremantle Art Prize, Fremantle Arts Centre, Fremantle (1996) [Award]
Stephenson, DM and MacDonald, AL and Brassington, P and Risby, ML and Arnold, R, ‘1996 City of Hobart Art Prize’, 1996 City of Hobart Art Prize, Hobart City Council, Hobart (1996) [Award]
Stephenson, DM, ‘Gold Coast City Conrad Jupiters Art Prize’, Gold Coast City Conrad Jupiters Art Prize, Gold Coast City Art Gallery, Gold Coast (1996) [Award]
